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Table des matières :
- Early Evidence of the Viola da Gamba in Italy, Renato Meucci
- 'Wherein the most complete Harmony was heard': The Viola da Gamba in Chromatic and Enharmonic Music in Seventeenth-Century Rome, Martin Kirnbauer
- Monteverdi, the Viola Bastarda Player, James Bates
- An Eighteenth-Century Italian Treatise and Other Clues to the History of the Viola da Gamba in Italy, Vittorio Ghielmi
- Problems of Authenticity in Sixteenth-Century Italian Viols and the Brussels Collection, Karel Moens
- The Viola Bastarda and the Art of Improvising, Paolo Pandolfo
- Italian Instruments in a List of Extant Viols Made Before 1900,
Thomas G. MacCraken
- Violin Traits in Italian Viol Building, Rule or Exception?,
Myrna Herzog
- Real Gut Strings: Some New Experiments in Hstorical Stringing,
Oliver Webber
- The System and Proportions of Barring on Viols,
Luc Breton
- A Study of Three Viols Attributed to Antonio Ciciliano,
Simone Zopf
- Tne 'Antonio Ciciliano à Venetia' Viol in the Accademia Filarmonica of Bologna,
Marco Tiella |